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LLIJdesign Fine Art . Furniture . A tribute to childhood creativity . Where Fine Art Meets Coastal Living

10/26/2026

Meet Cassian. šŸ¤šŸŒø

If Ciera is the bold one, Cassian is her lighter side. Cream on the outside with crocodile texture on the front panel, gold-dipped feet, and a matching chair, also in crocodile. It’s polished, calm, and understated.

Then you open the drop-front. Hot pink inside, painted florals across the writing surface, and little drawers waiting in the cubbies. It’s the same personality as Ciera, just wearing a softer outfit.

And yes, he came with his own chair, which is now done up in metallic white and gold. šŸ’›

Which side of Cassian would you want to show off, the cream or the pink? šŸ‘‡

File No. 018.Caspian & Wolfe up close. 🐊I’ve been using this crocodile vinyl on several pieces. The cream, pearly finish...
10/25/2026

File No. 018.

Caspian & Wolfe up close. 🐊

I’ve been using this crocodile vinyl on several pieces. The cream, pearly finish catches the light, and every scale has a raised, sculpted edge, so it looks like it has depth. It has already shown up on Wolfe, my plant table, and the next piece I’m posting has it too.

I love a texture that makes you want to touch it. Do you ever run your hand over furniture to feel the details? šŸ‘‡

10/23/2026

Meet Wolfe. 🐊🌿

Wolfe used to be a smoker’s table. Now he holds a plant, and he’s doing much better for it. Cream paint, a crocodile-textured top, and a drawer that now doubles as a little stage for the greenery.

I love giving a piece a completely different job. Same sturdy turned legs and the same sweet little drawer, but a very different life.

Sometimes a piece doesn’t need to change who it is. It just needs a better purpose. 🌱

What would you put in the drawer: a plant, a candle, or a secret? šŸ‘‡

10/23/2026

Meet Belle. šŸ–¤āœØ

She started as a golden brown, a little worn and a lot of curves. Now she’s classy black with gold on every carved detail, and she still does everything she did before: a dresser below and a drop-down desk above, with little cubbies and mini drawers hiding behind the front.

Belle was a commission, made for someone who knew exactly what they wanted. I loved every detail of this one. I’m especially proud of how the gold carvings stand out against the black.

Have a piece with beautiful bones that just needs a new look? Let this piece serve as inspiration to transform it!!

10/22/2026

Arlo, all of him. ā˜€ļø

Here’s the full view of the piece from the close-up. A mid-century rolling cabinet with a sunrise rising across the fluted doors, gold rays against soft blue-green, and a gold circle handle that sits right at the center of the sun.

Underneath, there’s a cane shelf, a bleached wood frame, and gold casters, because a cabinet that rolls should have wheels worth looking at.

Mid-century pieces were built to last, and this one just needed a new sunrise. šŸŒ…

Arlo is part of a private collection, so he’s off to his forever home.

Does he look like a bar cart, a buffet, or a conversation starter to you? šŸ‘‡

That tangled middle is the part nobody posts. The color that looked perfect and wasn’t. The pieces that got painted, gol...
10/22/2026

That tangled middle is the part nobody posts. The color that looked perfect and wasn’t. The pieces that got painted, gold-leafed, and then scrapped. The ā€œwhat if I just...ā€ at 11pm that rewrites the whole design. By the time a piece is revealed, it’s usually the third idea, not the first.

It’s also why commissions run at a premium. When a piece is made for you, the tangle gets bigger. I’m working from your vision, not just mine: matching a color to your space, sourcing the right piece, adjusting as we go, and not stopping until it feels like yours. You’re paying for all of that tangled middle, not just the clean line at the end.

The straight line is what you see. The loops are what make it one of one.

Have a piece or a space you’ve been dreaming about? Send me a message and let’s start untangling it together. šŸ¤

File No. 018.Arlo, up close. ā˜€ļøThis one is all about negative space. The sun isn’t painted on top of the cabinet. It app...
10/21/2026

File No. 018.

Arlo, up close. ā˜€ļø

This one is all about negative space. The sun isn’t painted on top of the cabinet. It appears in the spaces between the shapes, so your eye finishes the picture. The light blue and gold sit side by side on the fluted panels, and the rays seem to move as you walk past.

Arlo is a rolling mid-century cabinet with a cane bottom and a few more surprises, and he’s part of a private collection. This close-up was the detail I couldn’t stop looking at.

Did you see the sun right away, or did it take a second? šŸ‘‡

That’s it. That’s the business plan. šŸ˜‚I get to take a forgotten piece and give it a second life, and then it goes home w...
10/20/2026

That’s it. That’s the business plan. šŸ˜‚

I get to take a forgotten piece and give it a second life, and then it goes home with someone who actually loves it. The people who follow along, send me ideas, and cheer on the ā€œunnecessaryā€ steps are a big part of why this works.

So thank you for being the nice people. šŸ¤

Tag someone who’d fit right in here, or tell me what you’d want me to make next šŸ‘‡

10/20/2026

Meet Fiona. 🌿✨

Silverado sage on top, gold leaf on the bottom, and every fluted leg looks like it was dipped in sunlight. A textured drawer front with a thin gold border, and the stretcher below catches the light all day long.

She’s soft where you expect her to be and a little dramatic where you don’t, which is exactly how I like a console table.

Fiona is part of a private collection, so she’s already found her home.

Would you style her with flowers, a mirror, or something unexpected? šŸ‘‡

10/19/2026

šŸŽ¶ Here’s how the front of Havana came together.

I started with a vintage western puzzle, because old puzzles are made from thick, quality board and the pieces hold up. I painted the pieces, fitted them together one at a time, and sealed them under resin.

I also left in the parts that didn’t make it. The gold-painted pieces and the gold-leafed ones both looked great on their own, but neither was right for this piece. That’s the part nobody sees: as an artist, you rarely end up where you started, and the final reveal is usually the third idea, not the first.

It’s slow and it’s a little unnecessary, but that’s what makes it art.

Stick around for the reveal at the end. Then tell me which one you would’ve kept, the gold pieces or the final blue šŸ‘‡

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Dunedin, FL
34697-34698

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