11/05/2016
It's All About Shadows & Texture. It's not so much about what you see, but what you think you see-
In art, dynamics is expressing action, motion & energy. Life. Even a rock is dynamic, and in woodcarving, a wonderful subject to bring to life. My beginnings were in European Classical Ornamentation. That is where I first learned the versatility of wood carving chisels as a tool and weapon of illusion, and the basics of using them. Over the years I've learned to not just use, but to manipulate them, and the callouses on my hands today are in far different spots than they appeared when I first began. I have never found a more versatile tool, power or rotary that can replace the effectiveness of a well honed chisel, nor any computer driven CNC that can rival the expression of the human spirit. During those years I also learned the theory behind bi-relief carving. Essentially, how to create illusion of depth & dynamicy through the strategic control of shadows & shadows cast by the most intricate details of the carving. Among other things, when I’m designing or carving, I must know the viewing height, distance & angle to best do my job. The light source counts too. When carving entrance doors I always ask the compass direction they face relative to the sun. During the course of the day the carving will change relative to the sun’s position, & if I’m clever, I can take advantage of that to create a more interesting piece. Every cut, undulation & undercut counts. Finishing with staining & glazing techniques are another tool to accomplish this, as is painted finishes. Even white or black. Complete the piece in your mind before you begin, and give it every chance to work along the way.
I took the lessons from those early days and apply them to whatever motif or style I carve. Classic Ornamentation on a mantle, rustic wildlife panoramas and even in the round sculpting. I decided back then I wanted to become a master of texturing, & use that skill even when I'm distressing a table top to make it look worn & worm eaten. Woodcarving is the art of illusion & I love fooling my viewers with the manipulation of the illusion I’ve created. Every cut, every chip, every motion from the background to the foreground counts. Shadows are the key, even when I have to instill them when no natural shadows are available. My wife used to accuse me of being obsessed with woodcarving. Fact is, it's an adrenaline rush that takes patience, calculated strategy and sometimes months to achieve. No, I'm not obsessed... I'm addicted. If I pull off a good carving, What a Classical Rush!!