Studio Schalling

Hem
Sverige
Malmö
Studio Schalling

www.schalling.se

08/06/2026

A new look for our showroom - this time shaped around deep plum walls, warm wood, brass lighting and a curated selection of Scandinavian and European mid-century furniture and objects.

At the centre, Finn Juhl’s NV-56 dining table is paired with Hans J. Wegner’s Cowhorn chairs, creating a rich dining area in teak, rosewood and woven cane. Around it, an Otto Schulz cabinet, Paavo Tynell ceiling lamp and foldable mirror add depth, reflection and structure.

To the side, the Maija-Liisa Komulainen sofa introduces a softer lounge element, accompanied by the Mauri Almari floor lamp and a small grouping of ceramics and lighting. Together, the interior moves between dining and relaxation, with purple tones, patinated brass, stone, ceramic and textile creating a more intimate showroom mood.

27/05/2026

This ceramic bowl was designed by Friedl Holzer-Kjellberg and produced by Arabia in Finland during the 1950s.

The wide, open form rises from a small circular foot, giving the glaze a generous surface to unfold across. Deep oxblood red tones move into lighter cream and ivory areas, creating a vivid contrast between saturated colour and softer translucent passages.

Vertical streaks, feathered edges and radial patterns formed during firing give the surface a strong sense of movement and depth. Inside, darker red and brown tones gather toward the centre, enhancing the bowl’s intensity and visual pull.

A striking example of Holzer-Kjellberg’s experimental approach to glaze, surface and ceramic form.

20/05/2026

Bench or side table designed by Børge Mogensen and produced by master cabinetmaker Erhard Rasmussen in Denmark. The piece combines a restrained solid oak frame with an intricately handwoven cane top, reflecting Mogensen’s refined approach to proportion and craftsmanship.

The contrast between the warm oak and delicate woven cane creates a balanced composition, while the trestle-inspired base gives the design both lightness and stability. Produced by Erhard Rasmussen, the piece exemplifies the exceptional quality associated with Danish cabinetmaking of the period.

11/05/2026

A very rare wall lamp designed by Tage Pind and produced in Denmark in 1955, originally commissioned for the Astoria Cinema in Aalborg. The piece reflects the sculptural and atmospheric qualities of Danish mid-century lighting.

Composed of a slender brass structure with softly curved arms, the lamp supports three opaline glass globes, each partially enclosed in wave-shaped brass cups, creating an elegant, asymmetrical silhouette.

Executed in patinated brass and opaline glass, it emits a soft, diffused glow, adding warmth and depth to its refined, sculptural form.

05/05/2026

Bellevue Theatre, designed by Arne Jacobsen and completed in 1936, stands as one of the key works of his early career and a defining example of Danish functionalism. Part of the broader Bellevue development along the coast north of Copenhagen, the theatre contributed to what became known as “Arne Jacobsen’s White City”.

Conceived as a summer theatre, the building reflects Jacobsen’s holistic approach - designing not only the architecture but also the interiors, furniture, and lighting as a unified whole. The auditorium’s blue and white striped walls echo the seaside context, referencing the iconic lifeguard towers nearby.

An early example of total design, where every element is carefully considered from floor to ceiling.

Photos via

28/04/2026

The model 590 desk, designed by Josef Frank and produced by Svenskt Tenn in Sweden during the 1950s, is a refined example of mid-century Scandinavian craftsmanship. Executed in mahogany, the desk features a rectangular top with softly rounded edges, supported by a slender frame with squared legs and horizontal stretchers that provide stability and visual clarity. Discreet brass corner mounts and matching drawer pulls add a subtle decorative accent while emphasizing the precision of the construction.

Combining rich materials with balanced proportions, model 590 reflects Josef Frank’s philosophy of creating furniture that is both practical and inviting. The desk stands as a timeless representation of Swedish design, where craftsmanship and comfort are seamlessly united.

07/04/2026

Ceiling lamp model 98 designed by Hans Bergström and produced by Ateljé Lyktan in Åhus, Sweden, during the 1940s. This early and very rare model reflects Bergström’s formative period, where sculptural metalwork was combined with carefully controlled light diffusion.

The lamp is executed in brass with opaline glass shades and lacquered metal elements. Three curved arms radiate from a central stem, each supporting an opaline glass diffuser framed by hammered metal reflectors with softly undulating contours. Small star-shaped brass details add a subtle decorative accent characteristic of Bergström’s early designs.

When illuminated, the opaline glass produces a warm, diffused light, while the hammered reflectors soften and distribute the glow, giving the piece both functional clarity and a distinctly sculptural presence.

26/03/2026

This is a rare and large version of the AT-314 dining table, designed by Hans J. Wegner and produced by cabinetmaker Andreas Tuck in Denmark. The model reflects Wegner’s characteristic balance between structural clarity and sculptural form, representative of Danish Modern craftsmanship in the mid-20th century.

Executed in teak and oak with brass fittings, the table features a richly grained teak top paired with a lighter oak frame. Brass crossbars connect the legs, adding both stability and a refined architectural detail. A defining feature of the model is the distinctive X-shaped base, often referred to as sabre legs.

The table is designed with extension leaves, allowing it to expand from 194 cm to 310 cm while maintaining balanced proportions and structural lightness.

25/03/2026

Arne Jacobsen shaped his last major work, the National Bank of Denmark (1971), as a modern and monumental building defined by strict geometry, refined materials, and a meticulously designed interior. Located on Holmens Kanal in central Copenhagen, the building stands as Jacobsen’s final architectural statement - conceived as a complete gesamtkunstwerk, where architecture, interiors, furnishings, and landscape form a unified whole.

Clad in Porsgrunn marble with tinted glass façades, the building presents a fortress-like exterior reflecting the bank’s role as guardian of Denmark’s finances. Behind this restrained exterior, large interior spaces open around courtyard gardens designed with carefully arranged geometric planting schemes.

Jacobsen saw the first stage completed before his death in 1971, while his partners Otto Weitling and Hans Dissing continued the project, completing the complex in 1978.

Photos by

24/03/2026

This very rare armchair was designed by Danish master cabinetmaker Frits Henningsen and produced in Denmark during the 1930s. Crafted from solid mahogany with original natural leather upholstery, it represents an early example of Scandinavian design where traditional craftsmanship meets restrained modern form.

The dark-stained mahogany frame is defined by balanced proportions and gently splayed rear legs connected by stretchers, providing both strength and visual clarity. Over time, the wood has developed a warm patina that complements the richly worn vegetable-tanned leather.

A double row of brass nailheads outlines the seat and the broad, sculptural arms, giving the chair a distinctive presence while highlighting the precision of Henningsen’s cabinetmaking.

Adress

Skrittgatan 9
Malmö
21377

Telefon

+46 735377799

Webbplats

http://www.schalling.se/

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