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22/10/2026

Available

A “Vienna” table designed by Peter Noever for Zanotta in the late 1970s, characterised by the combination of a large circular granite top and a central white-painted metal base. The design combines the solidity and material presence of stone with an essential structure, defined by clear proportions and a distinctive relief-decorated pedestal.

The perfectly circular top is made of grey granite, with its characteristic speckled texture clearly visible across the surface and along the thickness of the edge. It is supported by a single cylindrical central column terminating in a broad, slightly conical circular base. The surface of the pedestal is articulated by a series of radial ribs extending from the centre towards the perimeter, introducing a graphic and three-dimensional element into an otherwise extremely restrained structure.

The contrast between the substantial stone top and the white base gives the table a balanced presence, with the visual weight of the granite seemingly lightened by the central support. The radial pattern of the base becomes the principal identifying feature of the design and highlights Noever’s interest in the relationship between form, material and structure, resulting in a functional table with a strong architectural identity.

Condition: Excellent overall condition.

Dimensions: Diameter 110 cm - Height 72 cm

21/10/2026

Available

A rattan armchair from the 1950s characterised by a sinuous and highly sculptural structure, constructed through a succession of curved elements that continuously define the base, armrests and profile of the seat. The design makes full use of rattan as a structural material, exploiting its flexibility and ability to be bent in order to create a light, organic and visually dynamic form.

The supporting frame is composed of rattan canes of different diameters, bent and joined with traditional bindings, while the seat and backrest are made from thinner elements arranged lengthwise and woven into the structure. The large looped armrests continue in a flowing line towards the front of the chair, while the base develops through broad curves that visually lighten the overall composition and emphasise the handcrafted nature of its construction.

The strongly reclined profile, high backrest and low seat give the armchair a relaxed and enveloping character. The repetition of the canes and bindings also creates a distinctive graphic rhythm, particularly evident from the side and rear views, making the structure itself the principal decorative element. A representative example of the exploration of organic forms and natural materials that characterised part of 1950s furniture design.

Condition: Good overall condition, minor signs of use.

Dimensions: Width 60 cm - Depth 90 cm - Height 97 cm - Seat height 37 cm

20/10/2026

Available

A three-stem floor lamp produced by Lamperti in the 1970s, characterised by a slender vertical composition and three light sources positioned at different heights. The entirely metal structure combines satin and chrome-plated finishes, with an essential design based on the repetition of circular and hemispherical elements.

The base is made from a single shaped metal element whose profile visually creates the impression of three partially overlapping discs. Three slender cylindrical stems rise from it, each terminating in an upward-facing hemispherical chrome-plated shade. The different heights of the stems articulate the composition and give the lamp a sense of movement without making the structure appear heavy.

The reflective finish of the shades contrasts with the more subdued surface of the base and reinforces the verticality of the lamp. When illuminated, the three hemispherical elements direct the light upwards, creating a diffuse glow while emphasising the graphic and geometric character of the design, typical of Italian lighting from the 1970s.

Condition: Good overall condition, some marks on the base and small areas of deterioration to the chrome plating on some shades. Fitted with 3 E27 bulbs.

Dimensions: Diameter 50 cm - Height 198.5 cm

19/10/2026

Available

A “Cidonio” table designed by Antonia Astori for Driade in the 1970s, characterised by a large circular transparent glass top supported by a cylindrical metal base. The design is based on an essential and rigorous geometry, in which the transparency of the top leaves the central structure fully visible.

The base consists of a central cylindrical volume set on a wide circular floor plate, both finished in the same metal surface. The undecorated glass top visually lightens the structure and creates a clear contrast between the transparency of the horizontal surface and the solid presence of the central support.

The circular shape of the top echoes that of the base, creating a particularly balanced composition built around the repetition of a few simple geometric elements. The restraint of the design and the combination of glass and metal give the table a strongly architectural character, consistent with Antonia Astori’s work for Driade during the 1970s.

Condition: Good overall condition, some marks on the base and glass.

Dimensions: Diameter 145 cm - Height 71 cm

18/10/2026

A “Servomanto” coat stand designed by Achille Castiglioni for Zanotta in the 1980s, characterised by a vertical black-painted metal structure and a series of shaped arms arranged at different levels. The design reduces the coat stand to a few essential elements, transforming an everyday function into an immediately recognisable graphic presence.

A long cylindrical central stem rises from a flared base and supports the various coat hooks. These extend radially around the stem and terminate in broad open curves, formed by bending the metal tubing into soft, continuous shapes. Their staggered arrangement allows garments to be hung at different heights while creating a dynamic composition around the central axis.

The contrast between the rigidity of the vertical stem and the sinuous profile of the upper elements is the defining feature of the Servomanto. The uniform black finish emphasises the continuity of the structure and highlights the outline of the hooks, giving the object the essential and subtly playful character typical of many of Castiglioni’s designs.

Condition: Good overall condition, some signs of use and small areas of paint loss.

17/10/2026

A desk designed by Vittorio Parigi and Nani Prina for Molteni in the 1970s, characterised by a chrome-plated tubular metal structure and a fitted top in moulded black plastic. The design brings together the writing surface, storage compartments and lighting within a single compact element, reflecting the functional approach to integrated furniture developed during the period.

The upper section is organised around a large glass writing surface set into the moulded plastic body and designed to be lifted, with a series of storage compartments incorporated directly into the structure. Along the rear edge, a sequence of circular openings provides additional space for small objects, while an adjustable lamp is integrated into the side of the desk through a slender metal stem and a small chrome-plated reflector. The contrast between the glossy black surface and the reflective metal elements reinforces the distinctly technical character of the design.

The base consists of two continuous chrome-plated tubular supports connected at the front by a crossbar that also functions as a footrest, with a ribbed black element covering its central section. The visually light metal structure contrasts with the more substantial upper body, creating a balance between the functional requirements of the workstation and a strongly recognisable formal language.

Condition: Good overall condition, some scratches on the glass and plastic structure.

Dimensions: Width 100 cm - Depth 68 cm - Height 83 cm

16/10/2026

Uno specchio da parete degli anni Cinquanta caratterizzato da una cornice ovale in rattan, composta da una successione di elementi curvati che si sviluppano radialmente intorno alla superficie specchiante. Il disegno richiama la forma di una corolla, con una struttura leggera e aperta che valorizza le qualità decorative del materiale naturale e conferisce all'oggetto una presenza scultorea.

La parte centrale è costituita da uno specchio ovale inserito in un telaio di rattan curvato, circondato da una f***a legatura che assicura gli elementi della cornice esterna. Da questa struttura si sviluppano sottili canne di rattan piegate ad arco e disposte secondo una sequenza regolare, creando un intreccio geometrico che si amplia progressivamente verso il perimetro. La sovrapposizione degli elementi curvati genera un disegno a losanghe, mentre le differenti tonalità del rattan e le giunzioni a vista sottolineano la lavorazione artigianale dell'insieme.

La struttura traforata permette alla parete di rimanere visibile attraverso la cornice e crea un gioco di ombre che varia in funzione dell'illuminazione. L'alternanza tra la superficie riflettente dello specchio e il profilo ritmico del rattan conferisce all'oggetto un carattere decorativo distintivo, rappresentativo dell'interesse per le forme organiche e i materiali naturali nell'arredo degli anni Cinquanta.

Condizioni: Buone condizioni generali, piccoli segni di utilizzo.

Dimensioni: Lunghezza 66 cm - Profondità 5 cm - Altezza 80 cm

15/10/2026

Designed by Gunnar Nielsen Tibergaard and manufactured by Tibergaard in the 1960s, this teak secrétaire belongs to the Danish design tradition of the period, characterised by balanced proportions, careful woodworking and solutions conceived to combine different functions within compact pieces of furniture.

The structure is defined by shaped side panels that follow the profile of the cabinet down to the tapered legs. The upper section features four small drawers arranged around a central open compartment, while the pull-out top provides a practical writing surface. Three drawers of different heights form the lower section, with handles recessed directly into the drawer fronts.

Its compact dimensions and reduced depth make it suitable for smaller interiors, combining the functions of a writing desk and storage cabinet within a single piece.

Condition: Good overall condition, some signs of wear visible in the photos
Dimensions: Width 85 cm - Depth 44 cm - Height 113.5 cm - Writing surface height 71 cm

13/09/2026

Available

A pair of Italian stools from the 1930s, characterised by a geometric construction and a refined combination of materials. The substantial rectangular top is supported by four slender cylindrical chrome-plated metal uprights that visually separate it from the base, creating a composition of clearly defined volumes and an unexpected sense of lightness.

The tops are veneered in bird's-eye maple, whose dense figuring and warm golden tone enhance the broad surfaces. The wood contrasts with the reflective chrome-plated supports and the black base, distinguished by a shaped profile with symmetrical recesses along the sides. The combination of figured wood, metal and dark surfaces gives the stools a strong graphic quality while clearly emphasising each element of their construction.

Their low, elongated proportions, symmetry and contrast between refined materials and essential geometries fully reflect the character of 1930s Italian furniture. The decorative richness of the bird's-eye maple is balanced by the linear chrome structure and the distinctive profile of the base, resulting in two pieces with an elegant and strongly architectural presence.

Condition: Good overall condition. Some signs of wear and 2 small losses to the veneer.

Dimensions: Width 60.5 cm - Depth 40.5 cm - Height 49.5 cm

12/09/2026

Not Available

A Space Age console from the 1970s, characterised by a compact structure and a strongly sculptural design defined by continuous surfaces, rounded corners and large open compartments. The contrast between the white-painted elements and the exposed wood emphasises the geometry of the piece and reflects the futuristic language that emerged in design between the late 1960s and early 1970s.

Made of wood, the console features a partially white-painted structure that wraps around the different levels with a continuous, softly rounded profile. Two large open compartments are defined by natural wood back panels and surfaces, whose warm tone creates a striking contrast with the white finish. The slightly recessed upper surface is framed at the sides by the continuation of the curved structure and completed by a slender wooden edge along the back.

The rounded forms and continuity of the surfaces give the console a sculptural character closely associated with Space Age design. A distinctive and highly recognisable piece in which the futuristic aesthetic of the period is interpreted through the combination of organic forms, white surfaces and natural wood.

Condition: Good overall condition, with some signs of wear and areas of paint loss.

Dimensions: Width 95 cm - Depth 39.5 cm - Height 81 cm

Indirizzo

Via Vittime Di Brescia 38r
Savona
17100

Orario di apertura

Lunedì	09:00 - 12:30
	15:00 - 18:30
Martedì	09:00 - 12:30
	15:00 - 18:30
Mercoledì	09:00 - 12:30
	15:00 - 18:30
Giovedì	09:00 - 12:30
	15:00 - 18:30
Venerdì	09:00 - 12:30
	15:00 - 18:30

Sito Web

http://www.usointerno.com/

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