Vivid Audio

07/09/2026

Ola thank you for the wonderfull of our speakers 🧡

01/09/2026

VIVID AUDIO KAYA 25

Designed for smaller spaces, KAYA 25 delivers a fine-detailed, transparent sound on a scale that belies its compact dimensions. Drawing visual inspiration from our bestselling OVAL range, and sharing technology with our all-conquering GIYA loudspeakers, KAYA 25 is the most accessible way to bring the transformative Vivid Audio approach to the music you love the most.

26/08/2026

NATURE KNOWS BEST

The purpose of GIYA loudspeakers is simple: to give you the clearest possible window on the music. No distortion or coloration in the sound, nothing to detract from the performance. Perfect clarity and precision in every note and breath. Even tracks you’ve heard a million times sound fresh, full of new details to discover and enjoy.

19/08/2026

Thank you ZeSen HiFi for this amazing photo!

09/08/2026

Música & Som has brought out an amazing review on the Vivid Audio Kaya S12:

“The Vivid Audio Kaya S12 demonstrate that a compact loudspeaker can compete with larger designs when the goal is to reproduce music with maximum transparency and precision.

Designed by Laurence Dickie, the engineer behind the iconic Bowers & Wilkins Nautilus, these monitors draw on technical solutions inherited from the Giya series to deliver reference-level performance in small to medium-sized rooms.”

Read the full review here: https://www.musicaesom.pt/2026/08/vivid-audio-kaya-s12-precisao-sonora.html?fbclid=IwdGRjcATbXgBwZG9mAWV4dG4DYWVtAjExAHNydGMGYXBwX2lkCjY2Mjg1NjgzNzkAAR5mqgRjxA_1kbjAAZT1KEh4bYhqNfYgYyLEQgabJyy4v7q0u0xUowSxuT6-eA_aem_GHvqQRnvuHrDth9dZC9HWw&m=1

01/08/2026

The Vivid Audio Kaya S12 with a great South African view ❤️

31/07/2026

The magnificent Vivid Audio Moya M1

Pearl White spoke from the left. Carbon Black answers from the right.

Same Vivid Audio Moya M1. Different private listening room. Entirely different attitude.

In Carbon Black, the Moya M1 catches every light and reflection, its sculpted cabinet almost folding the room around itself. Visually, it refuses to disappear.

Sonically, disappearing is exactly the job.

When the pair is properly positioned, those imposing forms stop calling attention to themselves. The room opens, the loudspeakers let go, and the performance occupies a space that feels independent of either cabinet.

Two rooms. Two finishes. One question:

Pearl White or Carbon Black—which would you want waiting for you when the lights go down?