st. vincents

st. vincents showroom / exhibitions / events

ST VINCENTS at PAD Thank you to everyone who joined us at PAD Paris, to those with whom we shared the space and made it ...
16/04/2026

ST VINCENTS at PAD

Thank you to everyone who joined us at PAD Paris, to those with whom we shared the space and made it such an inspiring edition, to those who passed by, and to those with who stopped for a conversation.

It was a pleasure to share with you our pieces by Brian Thoreen, Emily Thurman, EWE Studio, Hannah Kuhlmann, Nick Valentijn and Studio Haos, alongside the sculptural works presented by Michael Francken of .

If you were unable to attend or would like to see more, please feel free to reach out or visit our gallery in Antwerp. We would love to continue the conversation.

Captured by

—

PAD Paris enters its final weekend.We’re at the Tuileries through Saturday and Sunday, presenting a two-room installatio...
11/04/2026

PAD Paris enters its final weekend.

We’re at the Tuileries through Saturday and Sunday, presenting a two-room installation developed in dialogue with sculptural works from Modern Shapes Gallery.

The presentation is anchored by works from Brian Thoreen, with Nick Valentijn’s cabinet connecting both spaces — completed by EWE Studio, Emily Thurman, Hannah Kuhlmann, and Studio HAOS.

If you’re in Paris this weekend, we’d love to see you at Booth 22.

—

Saturday 11 April — 11:00–19:00
Sunday 12 April — 11:00–18:00

Tickets and catalogue available on request — [email protected]

—

Captured by Eline Willaert

PAD Paris enters its final weekend.We’re at the Tuileries through Saturday and Sunday, presenting a two-room installatio...
11/04/2026

PAD Paris enters its final weekend.

We’re at the Tuileries through Saturday and Sunday, presenting a two-room installation developed in dialogue with sculptural works from Modern Shapes Gallery.

The presentation is anchored by works from Brian Thoreen, with Nick Valentijn’s cabinet connecting both spaces — completed by EWE Studio, Emily Thurman, Hannah Kuhlmann, and Studio HAOS.

If you’re in Paris this weekend, we’d love to see you at Booth 22.

—

Saturday 11 April — 11:00–19:00
Sunday 12 April — 11:00–18:00

Tickets and catalogue available on request — [email protected]

—

Warmly,

ST VINCENTS & MODERN SHAPES

Captured by

Tuileries Garden, Paris 8–12 April 2026ST VINCENTS presents at PAD Paris, in dialogue with Modern Shapes Gallery.The pre...
07/04/2026

Tuileries Garden,
Paris 8–12 April 2026

ST VINCENTS presents at PAD Paris, in dialogue with Modern Shapes Gallery.

The presentation unfolds as a lived space across two rooms. Each is anchored by a work from Mexico-based designer and artist Brian Thoreen. A large-scale drinking cabinet by Nick Valentijn connects both spaces, with sculptural works from Modern Shapes’ programme set in relation throughout.

Works by EWE Studio, Emily Thurman, Hannah Kuhlmann and Studio HAOS complete the presentation.

Catalogue available on request. Tickets subject to availability.

In conversation w/ Anne Büscher“I find it exciting to let glass be very subtle yet present at the same time — how it is ...
28/03/2026

In conversation w/ Anne Büscher

“I find it exciting to let glass be very subtle yet present at the same time — how it is able to reflect its surroundings.

I started working with glass in 2014 — a playful exploration that shaped my relationship to the material. Glass is incorporated nothingness, transparent though visible. I have always been amazed by its duality and paradoxality, how it unites such oppositional features in itself.

The Glass Mobile is sensitive to every movement in the space, which makes visitors aware of their own presence and the influence they have on the composition of the work. Even gentle air currents cause the mobile to constantly move and change its appearance — but the individual glass bubbles never touch each other.

My mobiles are hanging sculptures that consist of ever-changing arrangements of glass bubbles and very thin hand-blown glass strings. Their dimensions depend on the length of my breath and the reach of my arms. I have to work quickly and yet be very careful. The glass strings are bent by gravity and emphasise both the flexibility and fragility of the material, while the individual elements are connected with pure silk threads and levelled until they float into balance.”

———

Anne Büscher (b. 1991, Germany) is an artist and material researcher based in Maastricht. Her practice takes the form of artistic experiments that push materials — glass, stone, porcelain-plaster, clay, water, light — to the limits of their perceived identity, centred on ritual, material behaviour, and the unseen forces that shape perception.

ON VIEW: Meet Me in the Middle
06.03 — 18.04.26
Feat. Glass mobiles by Anne Büscher
By appointment: ST VINCENTS — Kleine Markt 13, Antwerp

©️ Kate Devine - Film
©️ Eline Willaert - Slide 4

.dvne

Making functional objects came as an evolution of Madeline Coven’s sculptural practice — and a way to break through the ...
24/03/2026

Making functional objects came as an evolution of Madeline Coven’s sculptural practice — and a way to break through the limitations of a small NYC (Queens) studio. Her practice moves across sculpture, furniture, and jewellery.

Coven grew up in Albuquerque, New Mexico, a place she describes as one that wears its history openly. Not just in its landscape, but in what it holds: complex political, economic, and colonial histories. It taught her how beauty and violence can coexist, how something scarred and renewed still carries evidence of both. Her work aims to carry that same disruptive sensitivity.

“I see the alchemical nature of the casting process as a simultaneous degradation and rebirth of the original object,” she says. This led her to the study of endocasts: the natural fossil formed when sediment fills a hollow cavity as its shell breaks down. The void becomes the object.

For Meet Me in the Middle, the Vestige stools and coffee table are made from mahogany with pewter inlays highlighting the joints of their assembly. The straight lines of the wood are offset by the curvature of the cowhide. Along the sides of the stools, castings of discarded objects — fallen from trees or pockets, found on the ground — take new form as static hardware. The table carries its own reference: cast impressions of rocks washed up from the ocean, a trace of a moment pressed into sand.

Disposition, A Facsimile begins from a simpler question: what does it mean to keep things? Treasured objects, rocks, fossils, shells, nut shells, things found on the street — discarded, fallen or washed up. How arrangement frames personhood and identity. How collecting is a process of arranging self. The stretched hide is a page. The castings are marks on it. The empty mounts are what’s been removed, or what hasn’t arrived yet.
—

Meet Me in the Middle
On view 06.03 — 18.04.26

By appointment: ST VINCENTS, Kleine Markt 13, Antwerp
Inquiries please DM or [email protected]
©️ Eline Willaert

Marijke De C**k: “Since early childhood I’ve been obsessed by the small, the details. Working first in embroidery, and l...
17/03/2026

Marijke De C**k: “Since early childhood I’ve been obsessed by the small, the details. Working first in embroidery, and later in jewellery, taught me that something grand can be built from a single, ordinary component.”

Marijke calls her process “painting with beads.” Thousands of glass beads, each one placed, strung, or hammered by hand, compose a single surface. It’s analogue, slow, and rooted in a craft that goes back centuries. After more than fifteen years designing for Dries Van Noten, specialising in jewellery and embroidery, couture is her daily language. Her own practice takes that language and untethers it from the body, scaling beadwork into autonomous objects.

Alongside her signature wall sculptures, De C**k presents martini tables, standing and hanging sculptures, her most three-dimensional and structural body of work to date, designed to carry weight. Developed together with her husband, architect Rodriguez Debal, the beads themselves have been enlarged through a collaboration with a local glassblower, clustering so densely they appear to sometimes overtake the oak structures beneath.

Feat.

Marijke De C**k
Works Various, 2026
Glass, resin and metal beads hand embroidered, handmade glass elements, mounted on polished aluminium or and oak.

For Inquiries kindly DM or e-mail [email protected]
Press Inquiries at [email protected]

Cover, slide 1, 2, 3, 6, 7, 8, 9, 10©️Kate Devine
Slide 4, 5 ©️Eline Willaert

——

Exhibition: Meet Me in the Middle
On view: 06.03 — 18.04.26

By appointment: ST VINCENTS — Kleine Markt 13, Antwerp

Featuring: Anne Büscher, Madeline Coven, Marijke De C**k, Kimy Gringoire, Hannah Kuhlmann x Lisa Scherebnenko, Marte Mei, Emily Thurman

.dvne

In Conversation with Hannah KuhlmannFor our ongoing exhibition, Meet Me In The Middle, Hannah Kuhlmann uses the German w...
12/03/2026

In Conversation with Hannah Kuhlmann

For our ongoing exhibition, Meet Me In The Middle, Hannah Kuhlmann uses the German word stellenäquivalent to describe her objects — the positional equivalent of jewellery. What jewellery is to the body, her pieces are to the room.

“I worked for a goldsmith briefly, and I loved it. Jewellery remained important to me, but it quickly started to feel too small and I just wanted to work on a larger scale. Polishing, and the understanding of how metal can be shaped — that carried over from jewellery. I also draw on techniques from tailoring in the way I think about forming my pieces.”

Today Kuhlmann welds, shapes, and finishes every piece herself from her atelier in Cologne, working primarily in steel and brass. For Meet Me in the Middle, she presents Eternal Elders alongside goldsmith Lisa Scherebnenko — a collaboration that started during our last exhibition with Hannah, Lucid Dreams, and has for this show evolved into shared authorship. Elders is a pair of vertical shelves in patinated steel, two metres tall, fitted with magnetic elements by Scherebnenko — pearl, coral, Elforyn, wood, pebble, ceramic.

Meet Me in the Middle
On view
06.03 — 18.04.26
ST VINCENTS
Kleine Markt 13, Antwerp

Feat.
Eternal Elders, 2026
Hannah Kuhlmann & Lisa Scherebnenko
©️Eline Willaert (Cover)
Patinated steel, magnetic elements (pearl, coral, Elforyn, wood, pebble, ceramic)
200 × 40 × 40 cm

For Inquiries kindly DM or e-mail [email protected]

©️Eline Willaert — Cover and slide 5
©️Marisol Mendez — Slide 2
©️Kate Devine — Slide 3 and 6

.dvne

Meet Me in the Middle celebrates the work of eight remarkable women working across beadwork, glass blowing, casting, wel...
10/03/2026

Meet Me in the Middle celebrates the work of eight remarkable women working across beadwork, glass blowing, casting, welding, stoneware, goldsmithing, research and sculpture — each challenging what contemporary design looks and feels like.

With International Women’s Day just behind us, we wanted to take a moment to honour them properly. Their craft, their vision, their refusal to do things the easy way. It’s a privilege to be able to show their work.

Anne Büscher, Madeline Coven, Marijke De C**k, KImy Gringoire, Hannah Kuhlmann, Marte Mei, Lisa Scherebnenko and Emily Thurman.

And to the women behind the scenes who supported the show in their own way — Meara and Celine on PR, Amélie and Ann-Gaëlle from Bomat for the gorgeous pink rug, Kate Devine, Eline Willaert and Nicha Rodboon behind the lens, Ina for the drinks and Oona and Sophie for the extra pair of hands.

Happy belated women’s day — to these women and all the other doing their thing

—

Meet Me in the Middle
On view
06.03 — 18.04.26
ST VINCENTS
Kleine Markt 13, Antwerp

feat.
Cover: ©Eline Willaert
Image 1: Anne Büscher
Image 2: Madeline Coven / ©Alex Brooks
Image 3: Marijke De C**k / ©Niccola.be
Image 4: Kimy Gringoire
Image 5: Hannah Kuhlmann / ©Marisol Mendez
Image 6: Marte Mei / ©Senne Van Der Ven & Eefje De Coninck
Image 7: Lisa Scherebnenko / ©Natasha aufm Kamp
Image 8: Emily Thurman / ©Connor Rancan



.dvne .image .si.mone .i.r.distillations

04/03/2026

Join us this Friday for the opening of Meet Me in the Middle, our first formal group exhibition.

The show follows a thread we noticed across certain practices we admire: a shared, sometimes subconscious, affinity with jewellery. Not as subject, but as a way of thinking about closeness, memory, scale, touch… Eight women, variously artists, designers, jewellers, and researchers, each carrying that sensibility into different territory. Some move outward into furniture, lighting, and spatial form. For others, it folds back toward something worn, held, or touched.

A while in the making, we’re excited for the opening. Most artists will be present, and with a little luck, perhaps all. Still high hopes for Marte Mei and Emily Thurman catching a last-minute flight (some wishful thinking from our side).

A big thank you to .dvne for this short film! And to all eight artists, for trusting us with their work.

Hope to see you this Friday 6 March, 6–9 PM. If not, next time.

H&G

—

UNVEILING Friday, 06.03.26 6 — 9 PM
ON VIEW 06.03 — 18.04.26
ST VINCENTS Kleine Markt 13 2000 Antwerp — BE

For enquiries, kindly DM or e-mail [email protected]
Press: DM or e-mail [email protected]
—
Anne Büscher
Madeline Coven
Marijke De C**k
Kimy Gringoire
Hannah Kuhlmann
Lisa Scherebnenko
Marte Mei
Emily Thurman

.dvne

Adres

Kleine Markt 13
Antwerp
2000

Openingstijden

Woensdag 12:00 - 18:30
Donderdag 12:00 - 18:30
Vrijdag 12:00 - 18:30
Zaterdag 12:00 - 18:30

Website

Meldingen

Wees de eerste die het weet en laat ons u een e-mail sturen wanneer st. vincents nieuws en promoties plaatst. Uw e-mailadres wordt niet voor andere doeleinden gebruikt en u kunt zich op elk gewenst moment afmelden.

Contact

Stuur een bericht naar st. vincents:

Snelkoppelingen

Delen

Type