Fox & Wedge Vintage

Fox & Wedge Vintage Curated Mid-Century Modern & Vintage Furniture
Torquay Studio | Wadawurrung Country

There is a subtle elegance to Italian design of the early 1970s that is almost impossible to replicate. Mauro Pasquinell...
04/06/2026

There is a subtle elegance to Italian design of the early 1970s that is almost impossible to replicate. Mauro Pasquinelli understood it completely.

Designed circa 1972, the Maria chair for Pallavisini is defined by its contradictions. Solid and delicate. Architectural yet warm.

The European Oak frame arrives at corners that feel inevitable. The backrest curves just enough to suggest comfort without conceding the line.

And the Oak extension table, with the book-matched grain mirrored across the surface like a work of art, ties the whole set together in a way that feels less like furniture and more like a single considered object.

Worth noting, this rare set was a custom order. Pasquinelli designed it, but someone had to ask what we have hidden in our Torquay warehouse.

Comprehensively restored to the standard the design deserves. Structural work, precision veneer repairs, and timber hand finished to a stunning lustre.

All four chair pads reupholstered in espresso leather. Not a shortcut taken.

A truly rare and complete set. Restored without compromise. Ready for another fifty years.

Looking for something special? We probably have it hiding in our warehouse just waiting for you to DM us 🖤

Fred Lowen drew this in the 1960s. We brought it back like it never left!The Fler Norsk D-71 'Surfboard Back' Three Seat...
03/06/2026

Fred Lowen drew this in the 1960s. We brought it back like it never left!

The Fler Norsk D-71 'Surfboard Back' Three Seater, designed by Fred Lowen in the 1960s and restored to make you fall in love with it all over again.

That sweeping teak back rail isn't just a detail, it's the whole statement. This is a sofa you place in the centre of the room so everyone can admire it from every angle.

• Frame fully restored & finished in premium eco-friendly hardwax oil

• Reupholstered in Levanzo Passata by Linia, a luxuriously soft Italian wool boucle in the richest earthy terracotta

• All-new high-density foam, webbing & cushions

• Heavy commercial grade fabric. Heirloom level durability

• W 198 x D 78 x H 79 cm. Ready for its forever home

Fred Lowen brought Scandinavian soul to Australian living rooms, and this piece proves why his work has never gone out of style.


DM to book an inspection 👌
Link in Bio 🦊

Not everything beautiful comes from Scandinavia.Meet Peggy... a 1970s Czech swivel chair by UP Závody Růžinov, one of Ea...
02/06/2026

Not everything beautiful comes from Scandinavia.

Meet Peggy... a 1970s Czech swivel chair by UP Závody Růžinov, one of Eastern Europe's most celebrated mid-century manufacturers.

Original mustard ribbed velvet, chrome swivel base, and an organic silhouette that somehow looks even better today than it did 50 years ago.

One of one. Once she's gone, she's gone.

🚚 Fully insured freight available Australia-wide
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A true classic of Australian mid century design has just landed in our Torquay studio!Produced by Parker in Sydney durin...
23/04/2026

A true classic of Australian mid century design has just landed in our Torquay studio!

Produced by Parker in Sydney during the early 1960s, this 'Nordic' draw leaf dining table captures the streamlined, organic aesthetic that defined a generation. It features a beautifully warm teak grain and sits elegantly on signature tapered cigar legs.

Perfect for everyday living or entertaining guests, it houses two clever pull out extension leaves that store neatly beneath the main surface. It effortlessly transforms from a compact daily setting to a spacious table ready to accommodate eight people.

In excellent, restored condition. The timber has a beautiful soft satin lustre that really highlights the natural depth of the grain, and the extension runners slide with absolute precision.

Dimensions:
Length Closed: 132 cm
Length Fully Extended: 218 cm
Width: 91 cm
Height: 73 cm

Available to view now at Fox & Wedge, Torquay.
Parker chairs sold separately.

Send us a direct message to arrange an inspection, request more photos, or discuss shipping options.

The Chatley Matchstick chair is perhaps one of the most sought-after silhouettes in Australian mid-century design, and f...
16/04/2026

The Chatley Matchstick chair is perhaps one of the most sought-after silhouettes in Australian mid-century design, and finding a matching set of four in excellent restored condition is becoming increasingly rare.

Produced in Preston circa 1965, these chairs are a true collector's item, famous for the sculptural floating backrests that have made them a staple of high-end MCM interiors.

In our Torquay studio, we have taken this original set through a total restoration to ensure they are ready for the next sixty years. The solid Blackwood frames have been refinished, while the upholstery has been upgraded to Zepel FibreGuard in a stunning Lagoon colourway. It’s the perfect marriage of rare 1960s form and modern, stain-resistant durability.

DM to book an inspection / $750 - Price per chair

The Klassik 1022 by Draenert is a definitive example of German luxury modernism from the late 1960s.Designed by Peter Dr...
10/04/2026

The Klassik 1022 by Draenert is a definitive example of German luxury modernism from the late 1960s.

Designed by Peter Draenert in 1968, he pioneered the design as a frameless table where the glass acts as the primary structural element rather than just a surface.

The magic is in the engineering. Draenert developed a clever clamp system that allowed the massive 20mm glass plate to span the steel runners without any supporting subframe. This created that famous floating aesthetic that defined the Space Age and High Tech movements. It is a globally recognised design, currently held in permanent collections at both the Met in New York and the V&A in London.

This specific piece features the substantial 20mm thick glass, providing a sense of visual weight and presence that defined German luxury modernism. It manages to feel incredibly solid yet remains strictly minimalist, with the glass appearing to hover in space.

In excellent vintage condition. The chrome frame is bright and highly reflective with only light signs of use consistent with age. The glass top has been professionally refinished, so the edges are perfectly polished and the surface is free from any major chips or distracting scratches.

DM to book an inspection 🦊

You could easily mistake this for a Johannes Andersen original...Back in the 1960s, Australian furniture makers were dee...
12/03/2026

You could easily mistake this for a Johannes Andersen original...

Back in the 1960s, Australian furniture makers were deeply inspired by the Danish greats. Macrob was right there, interpreting that refined aesthetic for local homes through pieces like this teak extension table. It’s a textbook example of the organic, flowing lines famously defined by Andersen.

The entire design is centred on a sense of movement. Andersen’s influence is all over the sculptural shapes and softened edges, and Macrob captured that influence perfectly here with the tapered legs and the way the frame sweeps into the tabletop. It’s a piece that manages to feel incredibly solid yet visually light.

This table never even made it to the showroom floor. It was a pre-order only, restored specifically for an architecturally designed MCM home currently under construction in Queensland. Honey-toned teak looking better than ever!

Looking for a specific piece?

We often source and restore gems like this before they ever reach the website.

Send us a DM to find out more 👌

[SOLD] Ernst Hanson, Denmark c1960sIn the mid-1960s, Danish design was obsessed with a single problem... how to make a r...
11/03/2026

[SOLD]

Ernst Hanson, Denmark c1960s

In the mid-1960s, Danish design was obsessed with a single problem... how to make a room feel bigger without getting rid of the furniture.

Ernst Hanson’s answer was this dining suite, a perfect blend of architectural logic where the chairs don't just sit at the table, they become part of it. He designed the backrests with a curvature and height so they slide seamlessly under the table apron, creating one clean, unbroken silhouette of beautiful teak.

This wasn't just about looking sleek. It was a response to the shift toward open-plan living, where the dining set needed to stop being an obstacle and start being a quiet part of the architecture. Hanson moved away from the heavy, imposing styles of the past to create something that actually lets a room breathe. Every line feels organic and purposeful, calculated to save space while keeping that deep, honeyed warmth that defines vintage Danish teak.

The more we restore pieces like this, the more we fall in love with the soul behind mid-century modern design. Delivering this suite to its new owners today is a reminder that great design isn't just about appearance. It’s about the way we connect to the pieces we bring into our lives, and the quiet role they play in how we build a home.

There is a special kind of magic that happens in our Torquay studio when a piece like this 1960s Nathan sideboard rolls ...
28/02/2026

There is a special kind of magic that happens in our Torquay studio when a piece like this 1960s Nathan sideboard rolls through the doors. Founded in London in 1916, Nathan became the gold standard for British Mid-Century design. They weren't just making furniture, they were crafting iconic pieces that have soared in value to become serious collectible investments.

But when this one arrived? It was wearing every single one of its sixty years. Heavily scratched, tired, and grey, the original brilliance of that teak was buried under decades of life.

This is exactly why we love what we do. We often take in pieces that others might walk past, but we always have a clear vision for them. We know with the right approach, we can bring these pieces back to their original glamour and beyond. There is a massive buzz in seeing past the damage to the heritage hiding underneath.

Revealing that raw, honest grain isn’t a process you can rush with a machine. It takes a patient hand and a bit of obsession to navigate those famous organic handles and the refined proportions that made Nathan a staple of 1960s craftsmanship. We pour hours into these details, a dedication that you can feel the second you run your hand over the timber.

We’ve ditched the old-school plasticky lacquers for something much better for the timber (and the planet), and treated this grain with a specialised German Hardwax Oil... Oli Natura.

This eco-friendly, VOC-free finish sinks deep into the fibres to breathe life into the wood from the inside out. It pulls out that complex, fiery teak grain while leaving a water-resistant, velvet-smooth finish that feels incredible.

While this Nathan icon has already found its new home, the studio is currently packed with fresh stock and exciting pre-orders. Our restoration calendar fills up fast, but we are always stoked to help you hunt down and restore your own piece of history.

Hunting for a specific Mid-Century Modern gem?

Send us a DM 🦊

They say this piece is impossible to find online, but I guess that changes today!This is the W.H. Gispen Model 507 for K...
19/02/2026

They say this piece is impossible to find online, but I guess that changes today!

This is the W.H. Gispen Model 507 for Kembo, an icon of Dutch functionalism that has survived nearly seven decades with its soul intact.

Willem Hendrik Gispen didn't just design furniture, he engineered modern living. By the time he co-founded Kembo (an acronym for Kom Eerst Maar Bij Ons) in 1953, he was moving away from the rigid steel tubes of the Bauhaus toward something more Atomic, think playful, sculptural, and unapologetically bold.

This 1957 side table is a standout example of that transition, representing a Contemporary shift in post-war European design. The minimalist black rod-metal frame provides a sharp, architectural base for the winged bentwood shelf. The light yellow lacquer finish is original to the piece, offering a rare pop of 1950s Atomic-era optimism.

To restore the table back to original, we paired it with brand-new Armoured Glass featuring a clean, polished edge. This is the exact original glass specification used when the piece was first designed and released in 1957. It’s a choice that remains entirely true to that 1950s industrial soul while ensuring it is ready for another lifetime of use.

We’ve made the conscious choice to leave the "life well lived" on display. The lacquer is original, delicate, and full of history. We’ve stabilised it to ensure it remains a documented piece of design history, featured in the seminal 'W.H. Gispen - Serie producten 1923-1960' catalog, rather than a refinished shadow of its former self.

Maybe the rarest coffee table we’ve had yet!

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Torquay, VIC
3228

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