08/15/2024
24:04-6 (2024, project #4, 5 and 6)
Three sets for Andy’s Summer Playhouse. Hereby doubling my yearly project count thus far! I haven’t succeeded in making much sawdust for myself, but I’ll do it for the kids!
The first was put together in a day with help from one kid in the apprentice program and two college alumni on summer staff. For scale, The risers are 24 feel wide, and the back walls (on the sides of the center screen) are 4’ high.
And as luck would have it, The power was out in the neighborhood for the first show. So the one and only performance of the 24 Hour Plays was moved outside to the front steps (Despite the last minute change of venue and drastically altered tech, It was spectacular - and in front of a MUCH larger audience than would have fit inside anyway.
The next day, two of us struck the steps, added a row of risers, and rebuilt the railings. All the changes in the third slide - need to be painted black. A reasonably easy half day making these changes.
Final edits for the 3rd show are significant, but mostly invisible to the audience. We added a stage behind the screen for back projection AND shadow puppetry. This was, surprisingly, a much bigger lift than the entire build - as everything back stage was in the way, So two of us played a herculean game of Tetris to move the decks, walls, stairs and other partially deconstructed remnants of old sets to reconfigure the backstage area and make it accessible AND safe.
This years evolving stage meant fewer hands needed, considerably less time AND money spent (we were only short six 2x4’s, and otherwise able to reuse, repurpose, or reconstruct everything else from previous sets. And so the sets for, ‘Out There’ and ‘Giant Slalom’ have been ‘Dispatched for the Hilltop’ ;) It’s always nice recognizing pieces from earlier shows, and getting to utilize them in new ways (or at the very least not have to make ANOTHER set of stairs EVERY year. ;)
The summer flew by - closing weekend is upon us… just 2 more chances to see what magic is happening, and what the final set ACTUALLY looks like when the actors take their places.