31/03/2026
Joan entrusted me with re-upholstering a Parker Knoll Fireside Armchair (model 928-9, manufactured in the 1980's) inherited from her mother-in-law, and the lid of an ottoman box to match.
She chose this lovely William Morris' Willow Bough print on cotton duck fabric, purchased from JUST FABRICS .
Both items were completely stripped back, and after cleaning the wood, the chair arms were rubbed down, stained back to a uniform colour, and oiled to seal the wood and reveal the grain. I think it was worth the extra time and effort - don't you?
The previous kapok cushion in the back of the chair was originally filled with real kapok (plant fibres). It was replaced with a new kapok cushion stuffed with a modern fire retardant filling, before recovering the inside and outside back of the chair with the top fabric.
The old foam cushion was compressed and had started to crumble, so I made a brand new cushion. Rather than covering the foam with the traditional polyester wadding and stockinette, then making a fire retardant calico cushion cover to go under the cotton fabric, I decided to experiment in making a single cover to tick all the boxes, using wool, which is soft, comfortable, breathable and naturally fire retardant, without the addition of any nasty chemicals. I stitched the wool layer onto the cushion by hand.
The top of the cushion cover was pattern matched to the inside back of the chair, and the front border pattern matched to the top of the cover (which was a bit challenging, because the front of the cushion was slightly curved!).
Finally, I tailored a new front platform - a slightly more complex shape than the former one, because I did not wish to nail it to the sides of the chair, as was done previously. Rather than trying to turn the fraying curved edges under, I sewed a facing on the back instead, then turned it through, pressed it and topstitched. After affixing the front platform to the front of the chair and feeding the spring back through the platform, a few discreet gimp pins were tapped in to secure the front platform tightly in position - then carefully painted to match the fabric! Can you spot them?
The ottoman lid was a simpler project, but I incorporated a new canvas-stiffened strap handle, and rather than glueing replacement braid around the sides, I secured a trim of piping, and then invisibly slip-stitched the top fabric onto it - which took rather longer than anticipated, as I had to neatly stitch in the tiny gathers on the front corners.
The chair and ottoman now have a new lease of life, ready to take up residence in Joan's guest bedroom.