Wzrdry Audio Visual

Wzrdry Audio Visual https://wzrdryrecordings.bandcamp.com Two turntables, mixer, and a sampler later, Kelly was soon making deft left-field instrumentals.

As a child of the 1980s, Vancouver-born producer Kelly Claude Nairn (WzrdryAV) was hypnotized by the results of New York City resourcefulness: raw, sparse, drum machine hip-hop and later, the eclectic sample-based rap of the 1990s. Raised by a new age mom and jazz freak artist dad, pillaging the family record cabinet for inspiration was a natural progression. Concurrent w/ electro-acoustic study u

nder granular synthesis pioneer Barry Truax at Simon Fraser University, field recordings, audio collage, sound object manipulation, and slightly unhinged ambient works were added to his expanding cache. Foundation and technique in place, by the new millennium, the beat maker was putting a revelatory breakthrough into practice, “sample anything.” From big screen cinema and late night VHS sessions to TV sign off music and nature sounds, nothing was off limits. This not only led to the creation of WZRDRY (Kelly’s imprint and artistic umbrella), but a range of productions released internationally on vinyl, cassette tape, and compact disc. Today, Kelly combines his academic background w/ a personal self-taught approach, equally informed by British Columbia’s street meets tree topped mountains and oceanic reflections. Utilizing analog and digital equipment, new tracks aim to create a place/atmosphere/mood via magnetic programming and universal rhythms. While deliberate melodies are uncommon, repeating fragments of tones/chords and foggy loops/drones manifest themselves in the most unexpected ways. “I'm putting together and playing back sounds for the audience that I find evocative for my own escapism,” states the producer, encouraging listeners to join the trip and interpret, as they will. The music of WzrdryAV goes beyond the increasingly fast-paced cultural landscape, gradually slowing the pace and returning some long forgotten feeling to auditory expression. Touching on the influence of Jamaican dub and Detroit techno in his oeuvre, “It's about facing limitations by looking within to work in different ways and develop one's creativity.” Here’s to the future... Listen, live, and learn!

01/08/2026
Stickers and collage prints now available at  , thanks to  for being rad with the guidance! -
08/09/2025

Stickers and collage prints now available at , thanks to
for being rad with the guidance!
-

07/17/2025

Tonight on Art Of Beatz Radio, fresh off a new record on LINE, we're pleased to welcome wzrdryAV to the guest slot with something very special. DJ Motomasa will keep it swinging and Kuma will play very slowly in celebration of his new album in hour two. Midnight pst, 8 am GMT. 100.5 fm in Vancouver and streaming live at CoopRadio(Dot)org.

https://www.lineimprint.com/editions/sound/line_161/
04/26/2025

https://www.lineimprint.com/editions/sound/line_161/

OUT APRIL 25, 2025 on all digital listening platformsLINE welcomes back Kelly Nairn, aka wzrdryAV, with Wave Resource, his 3rd album for the label. His previous albums West Coast Systems Vol 2 (LINE_127, 2022) and West Coast Systems (LINE_116, 2020) are loved by listeners for their grainy warmth and...

OUT APRIL 25, 2025 on all digital listening platformsLINE welcomes back Kelly Nairn, aka wzrdryAV, with Wave Resource, h...
03/20/2025

OUT APRIL 25, 2025 on all digital listening platforms

LINE welcomes back Kelly Nairn, aka wzrdryAV, with Wave Resource, his 3rd album for the label. His previous albums West Coast Systems Vol 2 (LINE_127, 2022) and West Coast Systems (LINE_116, 2020) are loved by listeners for their grainy warmth and lushness. The last track is a blended continuous mix version of all of the pieces included on the album.



“In 2013, I bought a cheap Casio HT-700 synthesizer for 50 bucks. It looked more like a generic entry level synth, but to my surprise, it also had analog filters and a decent degree of programmability. With a sole two-digit “screen,” it was quite tedious to program. In the end though, and with the assistance of some outboard effects, I was able to design a variety of sounds to work from and build a substantial library of inspiration that I still use to this day.

After many laborious, experimental sessions, I got to a place where I thought that I’d squeezed everything out of it that I could, and left the machine to rest on a studio shelf. Roughly a decade later, I felt compelled to try recording with the Casio again. I ran the HT-700 through a Phase 90 and began to hear sounds that were really catching my attention. After editing the results, I discovered a three second blip of sound that clearly stood above the rest. I put the file into some processing software dating back to the OS9 era and heard elements I’d been chasing for years. These were the sounds that I had imagined in my mind for a very long time, but couldn’t quite realize.

Wave Resource represents the closest that I’ve ever gotten to hearing my internal world play out of a speaker. The vast majority of the album is that three second sample described above, pushed into as many different directions as I could with the available tools.

As an artist, I’ve been drawn to the idea of humans making “something out of nothing” forever… Themes of survival, resourcefulness, and efficiency are always on my mind. Initially and deeply inspired as a kid in Grade 7 by a hip-hop, cut and paste/sample-based aesthetic, I took notice when I heard artists that were doing so much with relatively basic setups compared to what we have in 2025. Seeing their chosen tools being repurposed beyond their planned utility in clever, previously unimaginable ways, blew my mind. Growing up in the 1970s, 80s, and 90s, I watched both sonic and visual creative movements emerge that would have never happened without true ingenuity.

When resources are limited, I believe it to be an opportunity to activate the epicenter of authenticity within and ideally create something that holds up years later.”

OUT APRIL 25, 2025 on all digital listening platformsLINE welcomes back Kelly Nairn, aka wzrdryAV, with Wave Resource, his 3rd album for the label. His previous albums West Coast Systems Vol 2 (LINE_127, 2022) and West Coast Systems (LINE_116, 2020) are loved by listeners for their grainy warmth and...

Longest mix I’ve ever made in my life for some folks a couple years back…in case you missed it:
03/19/2025

Longest mix I’ve ever made in my life for some folks a couple years back…in case you missed it:

Podcast Episode · radio.syg.ma · 2023-03-30 · 3h 20m

Address

Vancouver, BC

Website

http://soundcloud.com/wzrdry

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